classical music, opera, theatre

Richard Strauss: Friedenstag

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  • Produced by Müpa Budapest
  • MÜPA HOME

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Admission to Müpa Budapest's virtual concert hall is free of charge.

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We would like, even during this extraordinary situation, for the Müpa Budapest audience to still be able to encounter the world's most outstanding and thrilling artists each evening - this time in their own homes. It is precisely for this reason that we will open Müpa Budapest's virtual concert hall and auditoriums - each night at the familiar times - by providing access to a single unforgettable performance from past years.

The performance will be broadcasted on our website and YouTube channel.


The series were spanning several seasons in which Zoltán Kocsis and the Hungarian National Philharmonic performed rarely heard stage works by Richard Strauss at the Béla Bartók National Concert Hall arrived at its latest station in 2015. The interesting aspect of this latest concert, besides the rarity of the works, is that it featured two operas the composer wrote in 1938 that were originally intended to be performed side by side on the same programme.
Political circumstances also had an impact on how the two 1938 works came into existence: after being classified as a persona non grata, Stefan Zweig was unable to continue working on the libretto alongside the composer and, at his own suggestion, was replaced by Joseph Gregor. Although Friedenstag - which we will stream tonight as part of the Müpa Home series - achieved extraordinary success in the years following its première, today it is one of the most rarely performed operas in the repertoire.
The work will be directed by Austrian-based Hungarian Csaba Némedi and both the Friedenstag and Daphne share a unified stage design. What is more, both operas will be set around a key event of Strauss's time: the 1936 Berlin Olympics. "The set of Friedenstag features an oversized military drum, which also serves as a platform for the overthrow of the
hierarchy. This set element could also be interpreted as a circus manège based on its
shape, which is appropriate as the world of the circus revolved around antiquity,”
the director said of his concept.

This recording was made at the concert held at Müpa Budapest on 3 October 2015.

Presented by: Müpa Budapest

Sections

  • Zoltán Kocsis
  • Commandant of the beleaguered town
    Michael Kupfer-Radecky
  • Maria, his wife
    Christiane Kohl
  • A sergeant
    Géza Gábor
  • A private soldier
    Tivadar Kiss
  • A corporal
    Marcell Bakonyi
  • A musketeer
    Dömötör Pintér
  • A bugler
    György Silló
  • An officer
    László Lisztes
  • A front-line officer
    Viktor Massányi
  • A Piedmontese
    István Horváth
  • Holsteiner, commanding the besieging army
    Krisztián Cser
  • The burgomaster
    Ric Furman
  • The bishop
    Domonkos Blazsó
  • A woman of the people
    Gertrúd Wittinger
  • Soldiers and officers of the garrison and of the besieging army
  • Town elders
  • Women of the deputation to the commandant
  • Townspeople
  • Hungarian National Philharmonic Orchestra
  • Hungarian National Choir (choirmaster: Mátyás Antal)
  • set design
    Gilles Gubelmann
  • costumes
    Gianpiera Bühlmann
  • musical assistants
    Dóra Bizják, Szilvia Mikó
  • director
    Csaba Némedi


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