classical music, opera, theatre

Puccini: Turandot

two intervals
Béla Bartók National Concert Hall

Ticket prices


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No other opera of Puccini's embraces so much mystery as Turandot does: it contains both the three riddles posed by the princess and the enigma of its own incompleteness. Achieving the emotional fullness he was striving for in the drama of the proud princess, Puccini unleashes in the series of fabulous meetings and moments of recognition everything that is most reminiscent of the tragic - but more familiar bourgeois - world of his earlier operas.

I've read Turandot and I don't think we should abandon this subject... Simplify
it as regards the number of acts [...] and above all heighten the amorous passion of Turandot, which she has smothered so long beneath the ashes of her pride... All in all, I consider Turandot the most normal and human of all Gozzi's works,” the composer wrote to Adami in 1920. This is the first time in his life that Puccini had chosen a fable as the subject for an opera. Nevertheless, after he and his librettists were done with it, the libretto was a far cry from a "well-mannered” fairy tale. The three trials do not serve the standard role of proving the prince's suitability. Instead, Turandot intends to use the opportunity to prevent herself from finding her mate: "Mai nessun m'avra! - I will never belong to anyone!” - she sings. We have no choice but to believe that she means this seriously.
In Puccini's final masterpiece, he wanted to develop the musical-theatrical structure into something that was grandly playful and beyond realism, and the work primarily exerts its frenetic musical-dramatic impact as an opera of massive forms.

Presented by: Hungarian State Opera

Sections

  • Conductor
    Domonkos Héja
  • Turandot
    Jee Hye Han
  • Emperor Altoum
    István Róka
  • Timur
    Péter Fried
  • Calaf
    Michal Lehotsky
  • Liù
    Eszter Sümegi
  • Ping
    Zoltán Kelemen
  • Pang
    Zoltán Megyesi
  • Pong
    Tivadar Kiss
  • Mandarin
    András Kőrösi
  • Hungarian State Opera Orchestra
  • librettists
    Giuseppe Adami, Roberto Simoni, Franco Alfano
  • hungarian surtitles
    Ágnes Romhányi
  • head of the Children's Choir
    Nikolett Hajzer
  • acting choirmaster
    Gábor Csiki

Parking information

We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

Refreshments – Without the Queue

Thanks to our new catering service at the Átrium Snack Bar, you can forget about waiting in line during intermissions for some refreshments and get your order prepped especially for you by the time the intermission actually starts. Find out more about pre-ordering here.

Safe ticket purchase

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