classical music, opera, theatre

Budapest Festival Orchestra

Wagner, Widmann, Stravinsky

Béla Bartók National Concert Hall
cancelled
The performance has been cancelled.

Dear Visitor,

We regret to inform you that, pursuant to the decision of the Hungarian government and in light of the pandemic situation, all of our performances until 31 January 2021 have been cancelled. We will refund the price of tickets for programmes organised by Müpa Budapest itself: you can claim refunds for individual tickets by clicking here, and for tickets that are part of season tickets on this page.

Only Müpa Budapest's own productions can be registered on our interface. For information regarding ticket refunds for hosted performances, meaning ones not organised by Müpa Budapest, please enquire with the organiser of the performance.

Thank you for your understanding and cooperation!


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At these concerts, the Budapest Festival Orchestra will play one work each by a versatile composer of each of the 19th, 20th and 21st centuries: Wagner, who also wrote the librettos for his own operas, and two composer-conductor performers in Stravinsky and Jörg Widmann. Taking the stage as the soloist in Widmann's concerto will be Christian Tetzlaff. Credited with the piece's 2007 world première, the violinist's playing was described by a critic from Bachtrack as full of 'passion and unstoppable virtuosity'. The conductor of the concert will be Robin Ticciati, who studied under Colin Davis and Simon Rattle.

The trumpet call at the beginning of the overture to Wagner's five-act opera Rienzi, the Last of the Tribunes, summons the characters in the drama to battle. This is followed by the melody to Rienzi's prayer, and then by the battle hymn and military march that close the piece.
In Widmann's 2006 concerto, the soloist plays throughout with hardly any pause at all. Although the composer does not push the limits of the genre, he does experiment with extremes in terms of both tempo and tone. After guiding the listener through a barren and frightening underworld as an Orphean hero, the soloist eventually closes the composition in the ethereal heights.
'Remember him well! He's a man on the verge of global fame,' said Sergei Diaghilev, who commissioned The Firebird, of Stravinsky. This ballet music based on Russian folk tales amazed the Parisian audience. This story of Prince Ivan's fight, aided by the Firebird, against Koschei, who turns princesses into statues, will come to life - this time, with the complete ballet score - in passages from folk songs, bird calls, a distorted scherzo, a beautiful lullaby and celebratory fanfares.

Presented by: Budapest Festival Orchestra

Sections

  • Robin Ticciati
  • violin
    Christian Tetzlaff

Parking information

We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

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