The film's protagonist, Jep Gambardella, came to Rome at the age of 26. Now he is 65. He is a much-vaunted writer and journalist. A socialite and a philanderer. An old version of La Dolce Vita's Marcello, maybe? Now, on his birthday, he is taking stock of his past. Successes? Maybe. His one and only novel, written forty years ago, propelled him into the "dolce vita”, to celebrity status. It's hard to understand what Jep Gambardella, the successful man, is so worried about. Is it his upcoming new novel? Or his aging? Past loves? Miracles that never came true? Or the fates of those he comes across? Sorrentino's movie, similarly to Fellini's, never evolves into a large fictious narrative. This is what makes it exciting perhaps. Wondering among the well-off Romans and the self-proclaimed celebrities around them. Searching for something genuine among the never-ending flow of fake hairs, fake boobs and assorted surrogates. In 2014, The Great Beauty won the Oscar for Best Foreign Language Film. It was showered by awards in fact, and was a resounding success. Credit is definitely due to leading actor Toni Servillo and cinematographer Luca Bigazzi. But if you listen carefully, you can hear how beautifully Sorrentino incorporates 20th century and contemporary composers such as David Lang, Arvo Pärt, Poulenc and Górecki into his film.

In Italian, with Hungarian subtitles.
The discussions before and after the screening will be conducted in Hungarian.

Presented by: Müpa Budapest