Fellini is not a fast-talking cicerone, instead he is a guide from Rome, taking his tourists across the city's famous sights. He usually picks odd parts of the city in his films. He is interested in people, not in the building blocks. As if to show that for those who live in Rome, this city is a natural habitat, not a place of spectacles. A biotope. Even its motorway. When the director - playing himself - sets off to Rome on the motorway, he has already arrived. The madness of the traffic jam, the bizarre vehicles and their passengers already signify Rome. Just like in other Fellini movies, where the Rome of prefabricated buildings and the housing estates around Cinecitta are the city itself. This movie, however, is slightly different. The closing scene shows a motorcycle gang taking us through Rome. (Slightly different to the frantic scooter scene in Roman Holiday.) Castel Sant'Angelo, Piazza Navona, the Spanish Steps, the Colosseum... the motorcycle gang roaring through the sights of Rome - through empty streets. There are no human voices, no music. Motorcycle headlights illuminating the night-time city's stone-clad mementos before speeding away.

In Italian, with Hungarian subtitles.
The discussions before and after the screening will be conducted in Hungarian.

Presented by: Müpa Budapest