classical music, opera, theatre

Eötvös 80

one interval
Béla Bartók National Concert Hall

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"Percussion soloists exist in their own little universes: ones with unique instruments and special techniques for playing them,” says composer Péter Eötvös. "Triangel is composed in such a way as to provide space for these individual creative forces. The ensemble, divided into four groups, reacts to the music coming from the soloist partly with fixed notes and partly spontaneously. This piece explores the improvised cadenza techniques that were an integral part of playing concertos about a hundred years ago.”

Serving as the soloist alongside Concerto Budapest at this concert at Müpa Budapest will be Isao Nakamura, the same percussionist who took on Triangel at its world premiere in 1993. In 1905, Ravel received a commercial commission to compose a work that would showcase the features of the Érard company's newly developed model of harps: this is how Introduction et allegro, sometimes referred to as a mini harp concerto, was born. Listening to the richly coloured piece played by a string quartet, flute, clarinet and harp, one might not even think that writing it literally caused sleepless nights for the composer, who loved to complain about such tribulations. Luciano Berio‘s Sinfonia (composed in 1969 to mark the 125th anniversary of the foundation of the New York Philharmonic) is not without its own pessimistic overtones either: composed for orchestra and eight vocal parts, the piece uses musical quotations to outline an abstract and grotesque cultural history. The sources of the texts (incorporating speech, whispers and shouts) are highly diverse: Claude Lévi-Strauss, Samuel Beckett (excerpts from one of his novels) and Gustav Mahler (performance instructions for a musical score).

Presented by: Concerto Budapest


  • Fabián Panisello
  • percussion instruments
    Isao Nakamura
  • Neue Vocalsolisten
  • Concerto Budapest
  • actor
    Réka Tenki

Parking information

We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

Refreshments – Without the Queue

Thanks to our new catering service at the Átrium Snack Bar, you can forget about waiting in line during intermissions for some refreshments and get your order prepped especially for you by the time the intermission actually starts. Find out more about pre-ordering here.

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