The Toth Family is a decidedly noisy silent film. The characters never stop talking, the crickets chirp, dogs bark, a brass band plays and the paper cutting board chops up and down - all topped off by the voice of the narrator (Iván Darvas). Oh, and András Mihály's film score, which pays tribute to the burlesques of silent cinema. And here we find a caricature of theatrical acting. The Hungarian acting stars Sinkovits and Latinovits are incredible. But so is the rest of the cast. Fábri uses movement, gestures, costume, props and even colours and space as if we were engrossed in a naive yet refined silent film. Grotesque. If you watch the film with this approach, the war taking place somewhere far away loses some of its relevance. With what kind of sorcery could we believe that the events taking place in a small village will have an impact on the front? Just as the Toth family's martyrdom is brought into question. Because thanks to the major, the Toths become more important in their own community, they become the focal point. Enabling them to grasp on to a moderately high moral pedestal. Those looking for a satire, will also seek sin, and evil. The war, perhaps? But what if the thoroughly decent heroes of our story are tossed into a situation from which there is no easy escape? Who knows. But if we take a long look at our 21st century selves too, perhaps such an interpretation will seem far from absurd. Anyway, that's enough of the snake-like space left by the self-eating snake!

In Hungarian, without subtitles.
The discussions before and after the screening will be conducted in Hungarian.

Presented by: Müpa Budapest