dance, contemporary circus

Hungarian National Ballet: Threestyle

BUDAPEST DANCE FESTIVAL

one interval
Festival Theatre

Ticket prices


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Modern ballet show in two acts

Hans van Manen is one of the few choreographers who has succeeded in bringing widespread popularity to modern ballet by combining classical ballet with modern dance and other movement techniques. He crafted his piece 5 Tangos to the music of Astor Piazzolla. A true audience favourite, the work flows with fiery energy. It is tango, but with a little something extra. The choreography eschews the familiar stereotypical movements: in this elegant dance piece composed for seven couples and deeply rooted in the passion and drama of tango, as well as of Piazzolla himself, the cool formality of classical ballet fuses with elements of the language of modern dance.
Sharon Eyal and Gai Behar are one of the most exciting and original creative pairs in contemporary dance today. Jerusalem-born Eyal formed her own ensemble, the L-E-V Company, in 2013. Her creative and life partner, Gai Behar, is a Tel Aviv DJ. They created Bedroom Folk for the Nederlands Dans Theater (NDT 1) in 2015. A little over half an hour in length, the piece places equal emphasis on music, dance and lighting. Combining streamlined, unique and exotic dance elements and making use of evocative colours and lighting, the remarkable and captivating atmosphere of this work his simultaneously serious and madcap. A kind of organised chaos that points the way to the future.
American ballet artist and choreographer William Forsythe started creating his own works at the Stuttgart Ballet. He considered George Balachine to be his greatest role model. Although his works typically use classical technique as a starting point, he is able to take the ideas further, often to the point of extremes. An example of this is his 11-minute piece The Vertiginous Thrill of Exactitude: created for three male and two female dancers and with no storyline, it alternates between solos, pas de deux, pas de trois and ensembles, set to the virtuosic and sublime last movement of Schubert's Ninth Symphony.

Presented by: National Dance Theatre

Sections

  • lighting design
    Jan Hofstra
  • répétiteur
    Rachel Beaujean
  • company répétiteurs
    Edit Rujsz, György Szirb
  • sound artist and music
    Ori Lichtik
  • lighting design
    Thierry Dreyfus
  • costume designer
    Rebecca Hytting
  • répétiteur
    Olivia Ancona
  • company répétiteur
    Marianna Venekei
  • set and lighting design
    William Forsythe
  • costume designer
    Stephen Galloway
  • technical supervisor
    Sebastian Rietz
  • répétiteurs
    Amy Raymond, Agnes Noltenius
  • company répétiteur
    Edit Rujsz

Parking information

We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

Safe ticket purchase

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