classical music, opera, theatre

Péter Eötvös: Senza sangue / Bartók: Bluebeard's Castle

no interval
Béla Bartók National Concert Hall
  • Produced by Müpa Budapest

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Some masterpieces exert their influence on posterity in a general sense, and there also exist unique compositions that, above and beyond this widespread impact, specifically inspire the work of a later artist. Such was the case with Bartók's one-act opera with respect to the composer of Senza sangue.

One of the most successful opera composers of our time, Péter Eötvös based his most recent opera on the internationally renowned Italian writer Alessandro Baricco's novella Without Blood, composing it to a libretto written by his wife and collaborator Mari Mezei. The story follows an adult woman who encounters the man who, when she was a child during the Spanish Civil War, murdered her family before her eyes. The purpose of the confrontation is not revenge, but the search for forgiveness and redemption. Eötvös consciously intended for the work to be paired with Bartók's mystery play Bluebeard's Castle: both chamber dramas provide a glimpse into the secrets of two souls, one a woman's, the other of a man. Eötvös also developed the orchestral score to use the same configuration (with the exception of adding in an organ) as Bartók's opera.
This performance at Müpa Budapest makes the composer's dream into a reality: staging Senza sangue together with its inspiration and predecessor, Bluebeard's Castle. The twinned works are both being directed by Csaba Káel and conducted by Eötvös himself, who said of his own opera, "I started working on it like a film director who wants to shoot his next film in black and white. In my previous operas, I was after a colourful sound, but this one is different in that I'm seeking sharp contrasts and shades of black, grey and white.”

Presented by: Müpa Budapest
  • Péter Eötvös
  • The woman
    Viktória Vizin
  • The man
    Jordan Shanahan
  • Judith
    Andrea Szántó
  • Bluebeard
    Krisztián Cser
  • prologue (from recording)
    Károly Mécs
  • Hungarian National Philharmonic
  • dramaturg
    Judit Oláh-Fenyvesi
  • set designer
    Éva Szendrényi
  • video graphics
    László Zsolt Bordos (Bluebeard's Castle), Lóránt Demeter (Senza sangue)
  • costume designer
    Anikó Németh (Manier)
  • revival director
    Sylvie Gábor
  • director
    Csaba Káel

Parking information

We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

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