classical music, opera, theatre

Montéclair: Jephté - Hungarian première

one interval
Béla Bartók National Concert Hall
  • Produced by Müpa Budapest
  • Early Music Festival

Ticket prices


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The figure of Jephthah is familiar from the Old Testament's Book of Judges. When discussing musical treatments of the story, music listeners would previously always think of the oratorios by Carissimi or Handel. This concert offers the opportunity to encounter another musical setting that came eight decades after Carissimi's Jephte and two decades before Handel's Jephta.

The collaboration between György Vashegyi and the Centre de Musique Baroque de Versailles has already marked itself as an effort to discover neglected musical treasures. Jephté,, the 1743 tragédie en musique by Michel Pignolet de Montéclair (1667-1737), consisting of a prologue and five acts and entered music history as the first biblically themed French opera, is one such gem unknown in Hungary. As Montéclair, a superb composer and teacher and one of the innovators of Baroque forms and orchestration, is not performed in Hungary, it is worth getting to know Jephté, which boasts the interesting feature that Simon-Joseph Pellegrin's libretto (like Thomas Morell's in the case of Handel) replaces the tragic biblical ending with a happy conclusion: in Montéclair's opera, Jephté, who has led Israel to victory against the Ammonites, is not required to sacrifice his sole daughter, in spite of his vow. Before the battle, Jephté had prayed to God for help, offering, in exchange for aiding his way to victory, to sacrifice the first being he saw exiting his house after the triumph. This turned out to be none other than his only daughter, Iphise - who, according to the libretto, is secretly in love with the enemy Ammon (an invention of the librettist that is not mentioned in the Bible). The soloists appearing together with the Orfeo Orchestra and the Purcell Choir are world-class vocalists.

Concert performance

Co-production of Müpa Budapest and Centre de musique baroque de Versailles with the support of Institut Français de Budapest and Orfeo Music Foundation Budapest. Performance material is edited by Centre de musique baroque de Versailles.

Prior to the concert, Benoît Dratwicki and György Vashegyi will introduce the work to ticket holders in the Festival Theatre from 6 pm. The event is open to ticket holders to the concert, subject to the capacity of the venue. The presentation will be in French with a Hungarian interpreter.

Presented by: Müpa Budapest
  • György Vashegyi
  • Jephté
    Tassis Christoyannis
  • Iphise
    Chantal Santon-Jeffery
  • Truth / Almasie
    Judith Van Wanroij
  • Phinée
    Thomas Dolié
  • Ammon
    Zachary Wilder
  • Terpsichore / Venus / A local / An Israelite / Élise / Shepherdess
    Katia Vellétaz
  • Abdon / An Israelite
    Clément Debieuvre
  • Apollon / Abner / A local
    David Witczak
  • Polymnie
    Adriána Kalafszky
  • Purcell Choir, Orfeo Orchestra
  • Concertmaster
    Simon Standage

Parking information

We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

Refreshments – Without the Queue

Thanks to our new catering service at the Átrium Snack Bar, you can forget about waiting in line during intermissions for some refreshments and get your order prepped especially for you by the time the intermission actually starts. Find out more about pre-ordering here.

Safe ticket purchase

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Early Music Festival


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